![]() ![]() ![]() I did some research, and found the most common issue with older mics was that the foam deteriorated to the point where the mic capsule would be freely rattling around inside the body of the mic, and as long as the circuits were good and the voice coil intact, you could restore it to like-new condition with about $30 worth of foam! Luckily, however, I know a few people in radio (RE20s are about as common in radio studios as Toyota Camrys are on the road!), and it seems most radio engineers have a box full of crusty old RE20s that have been dropped, popped, or shaken one too many times. I've often wanted one of my own, but couldn't justify the half-a-grand price tag. The RE20 is a dynamic mic, so you can shout at it without clipping, it's a hefty metal mic, so you can bang it up a bit without too much ill effect, and it has a neat 'Variable D' feature that allows you to talk straight on or at an angle without affecting the quality of your voice too much (other mics need a lot more practice in controlling distance and direction). the Shure SM7B, the Neumann U87, or the EV RE20) has it's own advantages and a few marquee users, but one mic seems to rule the roost when it comes to versatility and ability to color almost any voice with the 'talk show' sound, and that's the EV RE20. In the world of radio and professional podcasting, there are fewer than a dozen 'go-to' microphones. ![]()
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